Antoine Jomin, as seen by Camille Greffin, for the Texto Ensemble

Antoine Jomin


Antoine Jomin studied the piano and the flute at the Conservatoire National de Région de Saint-Maur, while at the same time attending drama lessons. He took up vocal studies in Munich, further pursuing that road in Amsterdam. Antoine Jomin is performing as a soloist in a particularly large variety of genres ranging from the baroque to contemporary music. On stage, he has been interpreting Remendado in Carmen (Bizet), Bidard in Die Fledermaus (J. Strauss), Aeneas in Dido and Aeneas (Purcell). In the concert hall, he has been singing Monteverdi's Vespers, Charpentier's Missa assumpta est Maria, Bach's Magnificat, Handel's Messiah, Respighi's Lauda per la Nativita, Schumann's Der Rose Pilgerfahrt, paying special attention to recitals, not only of Lieder but of Spanish songs as well, most notably with pianist Anne Jomin. He works with soloist ensembles such as Accentus and Akadêmia, under the direction of Laurence Equilbey, Philippe Herreweghe, Ivor Bolton, Michel Tabachnik, in productions of the Opéra Garnier, the Cité de la Musique, the Opéra Comique, the Théâtre d'Aix-en-Provence and the Opéra de Rouen. Antoine Jomin experiments with modern dancer Regina Ramsl on the relationship between voice and movement and collaborates with composer Álvaro Martínez León.

Share on Myspace